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A Room with a View · E. M. Forster

Chapter XVI. Lying To George

Chapter XVI: Lying to George

But Lucy had developed since the spring. That is to say, she was

now better able to stifle the emotions of which the conventions

and the world disapprove. Though the danger was greater, she was

not shaken by deep sobs. She said to Cecil, "I am not coming in

to tea--tell mother--I must write some letters," and went up to

her room. Then she prepared for action. Love felt and

returned, love which our bodies exact and our hearts have

transfigured, love which is the most real thing that we shall

ever meet, reappeared now as the world's enemy, and she must

stifle it.

She sent for Miss Bartlett.

The contest lay not between love and duty. Perhaps there never is

such a contest. It lay between the real and the pretended, and

Lucy's first aim was to defeat herself. As her brain clouded

over, as the memory of the views grew dim and the words of the

book died away, she returned to her old shibboleth of nerves. She

"conquered her breakdown." Tampering with the truth, she forgot

that the truth had ever been. Remembering that she was engaged to

Cecil, she compelled herself to confused remembrances of George;

he was nothing to her; he never had been anything; he had behaved

abominably; she had never encouraged him. The armour of falsehood

is subtly wrought out of darkness, and hides a man not only from

others, but from his own soul. In a few moments Lucy was equipped

for battle.

"Something too awful has happened," she began, as soon as her

cousin arrived. "Do you know anything about Miss Lavish's novel?"

Miss Bartlett looked surprised, and said that she had not read

the book, nor known that it was published; Eleanor was a reticent

woman at heart.

"There is a scene in it. The hero and heroine make love. Do you

know about that?"

"Dear--?"

"Do you know about it, please?" she repeated. "They are on a

hillside, and Florence is in the distance."

"My good Lucia, I am all at sea. I know nothing about it

whatever."

"There are violets. I cannot believe it is a coincidence.

Charlotte, Charlotte, how could you have told her? I have thought

before speaking; it must be you."

"Told her what?" she asked, with growing agitation.

"About that dreadful afternoon in February."

Miss Bartlett was genuinely moved. "Oh, Lucy, dearest girl--she

hasn't put that in her book?"

Lucy nodded.

"Not so that one could recognize it. Yes."

"Then never--never--never more shall Eleanor Lavish be a friend

of mine."

"So you did tell?"

"I did just happen--when I had tea with her at Rome--in the

course of conversation--"

"But Charlotte--what about the promise you gave me when we were

packing? Why did you tell Miss Lavish, when you wouldn't even let

me tell mother?"

"I will never forgive Eleanor. She has betrayed my confidence."

"Why did you tell her, though? This is a most serious thing."

Why does any one tell anything? The question is eternal, and it

was not surprising that Miss Bartlett should only sigh faintly in

response. She had done wrong--she admitted it, she only hoped

that she had not done harm; she had told Eleanor in the strictest

confidence.

Lucy stamped with irritation.

"Cecil happened to read out the passage aloud to me and to Mr.

Emerson; it upset Mr. Emerson and he insulted me again. Behind

Cecil's back. Ugh! Is it possible that men are such brutes?

Behind Cecil's back as we were walking up the garden."

Miss Bartlett burst into self-accusations and regrets.

"What is to be done now? Can you tell me?"

"Oh, Lucy--I shall never forgive myself, never to my dying day.

Fancy if your prospects--"

"I know," said Lucy, wincing at the word. "I see now why you

wanted me to tell Cecil, and what you meant by 'some other

source.' You knew that you had told Miss Lavish, and that she was

not reliable.

It was Miss Bartlett's turn to wince. "However," said the girl,

despising her cousin's shiftiness, "What's done's done. You have

put me in a most awkward position. How am I to get out of it?"

Miss Bartlett could not think. The days of her energy were over.

She was a visitor, not a chaperon, and a discredited visitor at

that. She stood with clasped hands while the girl worked herself

into the necessary rage.

"He must--that man must have such a setting down that he won't

forget. And who's to give it him? I can't tell mother now--owing

to you. Nor Cecil, Charlotte, owing to you. I am caught up every

way. I think I shall go mad. I have no one to help me. That's why

I've sent for you. What's wanted is a man with a whip."

Miss Bartlett agreed: one wanted a man with a whip.

"Yes--but it's no good agreeing. What's to be DONE. We women go

maundering on. What DOES a girl do when she comes across a cad?"

"I always said he was a cad, dear. Give me credit for that, at

all events. From the very first moment--when he said his father

was having a bath."

"Oh, bother the credit and who's been right or wrong! We've both

made a muddle of it. George Emerson is still down the garden

there, and is he to be left unpunished, or isn't he? I want to

know."

Miss Bartlett was absolutely helpless. Her own exposure had

unnerved her, and thoughts were colliding painfully in her brain.

She moved feebly to the window, and tried to detect the cad's

white flannels among the laurels.

"You were ready enough at the Bertolini when you rushed me off to

Rome. Can't you speak again to him now?"

"Willingly would I move heaven and earth--"

"I want something more definite," said Lucy contemptuously. "Will

you speak to him? It is the least you can do, surely, considering

it all happened because you broke your word."

"Never again shall Eleanor Lavish be a friend of mine."

Really, Charlotte was outdoing herself.

"Yes or no, please; yes or no."

"It is the kind of thing that only a gentleman can settle."

George Emerson was coming up the garden with a tennis ball in his

hand.

"Very well," said Lucy, with an angry gesture. "No one will help

me. I will speak to him myself." And immediately she realized

that this was what her cousin had intended all along.

"Hullo, Emerson!" called Freddy from below. "Found the lost ball?

Good man! Want any tea?" And there was an irruption from the

house on to the terrace.

"Oh, Lucy, but that is brave of you! I admire you--"

They had gathered round George, who beckoned, she felt, over the

rubbish, the sloppy thoughts, the furtive yearnings that were

beginning to cumber her soul. Her anger faded at the sight of

him. Ah! The Emersons were fine people in their way. She had to

subdue a rush in her blood before saying:

"Freddy has taken him into the dining-room. The others are going

down the garden. Come. Let us get this over quickly. Come. I want

you in the room, of course."

"Lucy, do you mind doing it?"

"How can you ask such a ridiculous question?"

"Poor Lucy--" She stretched out her hand. "I seem to bring

nothing but misfortune wherever I go." Lucy nodded. She

remembered their last evening at Florence--the packing, the

candle, the shadow of Miss Bartlett's toque on the door. She was

not to be trapped by pathos a second time. Eluding her cousin's

caress, she led the way downstairs.

"Try the jam," Freddy was saying. "The jam's jolly good."

George, looking big and dishevelled, was pacing up and down the

dining-room. As she entered he stopped, and said:

"No--nothing to eat."

"You go down to the others," said Lucy; "Charlotte and I will

give Mr. Emerson all he wants. Where's mother?"

"She's started on her Sunday writing. She's in the drawing-room."

"That's all right. You go away."

He went off singing.

Lucy sat down at the table. Miss Bartlett, who was thoroughly

frightened, took up a book and pretended to read.

She would not be drawn into an elaborate speech. She just said:

"I can't have it, Mr. Emerson. I cannot even talk to you. Go out

of this house, and never come into it again as long as I live

here--" flushing as she spoke and pointing to the door. "I hate a

row. Go please."

"What--"

"No discussion."

"But I can't--"

She shook her head. "Go, please. I do not want to call in Mr.

Vyse."

"You don't mean," he said, absolutely ignoring Miss Bartlett--

"you don't mean that you are going to marry that man?"

The line was unexpected.

She shrugged her shoulders, as if his vulgarity wearied her. "You

are merely ridiculous," she said quietly.

Then his words rose gravely over hers: "You cannot live with

Vyse. He's only for an acquaintance. He is for society and

cultivated talk. He should know no one intimately, least of all a

woman."

It was a new light on Cecil's character.

"Have you ever talked to Vyse without feeling tired?"

"I can scarcely discuss--"

"No, but have you ever? He is the sort who are all right so long

as they keep to things--books, pictures--but kill when they come

to people. That's why I'll speak out through all this muddle even

now. It's shocking enough to lose you in any case, but generally

a man must deny himself joy, and I would have held back if your

Cecil had been a different person. I would never have let myself

go. But I saw him first in the National Gallery, when he winced

because my father mispronounced the names of great painters. Then

he brings us here, and we find it is to play some silly trick on

a kind neighbour. That is the man all over--playing tricks on

people, on the most sacred form of life that he can find. Next, I

meet you together, and find him protecting and teaching you and

your mother to be shocked, when it was for YOU to settle whether

you were shocked or no. Cecil all over again. He daren't let a

woman decide. He's the type who's kept Europe back for a thousand

years. Every moment of his life he's forming you, telling you

what's charming or amusing or ladylike, telling you what a man

thinks womanly; and you, you of all women, listen to his voice

instead of to your own. So it was at the Rectory, when I met you

both again; so it has been the whole of this afternoon. Therefore

--not 'therefore I kissed you,' because the book made me do that,

and I wish to goodness I had more self-control. I'm not ashamed.

I don't apologize. But it has frightened you, and you may not

have noticed that I love you. Or would you have told me to go,

and dealt with a tremendous thing so lightly? But therefore--

therefore I settled to fight him."

Lucy thought of a very good remark.

"You say Mr. Vyse wants me to listen to him, Mr. Emerson. Pardon

me for suggesting that you have caught the habit."

And he took the shoddy reproof and touched it into immortality.

He said:

"Yes, I have," and sank down as if suddenly weary. "I'm the same

kind of brute at bottom. This desire to govern a woman--it lies

very deep, and men and women must fight it together before they

shall enter the garden. But I do love you surely in a better way

than he does." He thought. "Yes--really in a better way. I want

you to have your own thoughts even when I hold you in my arms,"

He stretched them towards her. "Lucy, be quick--there's no time

for us to talk now--come to me as you came in the spring, and

afterwards I will be gentle and explain. I have cared for you

since that man died. I cannot live without you, 'No good,' I

thought; 'she is marrying some one else'; but I meet you again

when all the world is glorious water and sun. As you came through

the wood I saw that nothing else mattered. I called. I wanted to

live and have my chance of joy."

"And Mr. Vyse?" said Lucy, who kept commendably calm. "Does he

not matter? That I love Cecil and shall be his wife shortly? A

detail of no importance, I suppose?"

But he stretched his arms over the table towards her.

"May I ask what you intend to gain by this exhibition?"

He said: "It is our last chance. I shall do all that I can." And

as if he had done all else, he turned to Miss Bartlett, who sat

like some portent against the skies of the evening. "You wouldn't

stop us this second time if you understood," he said. "I have

been into the dark, and I am going back into it, unless you will

try to understand."

Her long, narrow head drove backwards and forwards, as though

demolishing some invisible obstacle. She did not answer.

"It is being young," he said quietly, picking up his racquet from

the floor and preparing to go. "It is being certain that Lucy

cares for me really. It is that love and youth matter

intellectually."

In silence the two women watched him. His last remark, they knew,

was nonsense, but was he going after it or not? Would not he, the

cad, the charlatan, attempt a more dramatic finish? No. He was

apparently content. He left them, carefully closing the front

door; and when they looked through the hall window, they saw him

go up the drive and begin to climb the slopes of withered fern

behind the house. Their tongues were loosed, and they burst into

stealthy rejoicings.

"Oh, Lucia--come back here--oh, what an awful man!"

Lucy had no reaction--at least, not yet. "Well, he amuses me,"

she said. "Either I'm mad, or else he is, and I'm inclined to

think it's the latter. One more fuss through with you, Charlotte.

Many thanks. I think, though, that this is the last. My admirer

will hardly trouble me again."

And Miss Bartlett, too, essayed the roguish:

"Well, it isn't every one who could boast such a conquest,

dearest, is it? Oh, one oughtn't to laugh, really. It might have

been very serious. But you were so sensible and brave--so unlike

the girls of my day."

"Let's go down to them."

But, once in the open air, she paused. Some emotion--pity,

terror, love, but the emotion was strong--seized her, and she was

aware of autumn. Summer was ending, and the evening brought her

odours of decay, the more pathetic because they were reminiscent

of spring. That something or other mattered intellectually? A

leaf, violently agitated, danced past her, while other leaves lay

motionless. That the earth was hastening to re-enter darkness,

and the shadows of those trees over Windy Corner?

"Hullo, Lucy! There's still light enough for another set, if you

two'll hurry."

"Mr. Emerson has had to go."

"What a nuisance! That spoils the four. I say, Cecil, do play,

do, there's a good chap. It's Floyd's last day. Do play tennis

with us, just this once."

Cecil's voice came: "My dear Freddy, I am no athlete. As you well

remarked this very morning, 'There are some chaps who are no good

for anything but books'; I plead guilty to being such a chap, and

will not inflict myself on you."

The scales fell from Lucy's eyes. How had she stood Cecil for a

moment? He was absolutely intolerable, and the same evening she

broke off her engagement.