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The Phantom of the Opera · Gaston Leroux

Dear Mr. Manager:

I am sorry to have to trouble you at a time when you must be

so very busy, renewing important engagements, signing fresh ones

and generally displaying your excellent taste. I know what you

have done for Carlotta, Sorelli and little Jammes and for a few

others whose admirable qualities of talent or genius you have suspected.

Of course, when I use these words, I do not mean to apply them

to La Carlotta, who sings like a squirt and who ought never to

have been allowed to leave the Ambassadeurs and the Cafe Jacquin;

nor to La Sorelli, who owes her success mainly to the coach-builders;

nor to little Jammes, who dances like a calf in a field. And I am

not speaking of Christine Daae either, though her genius is certain,

whereas your jealousy prevents her from creating any important part.

When all is said, you are free to conduct your little business as you

think best, are you not?

All the same, I should like to take advantage of the fact that you

have not yet turned Christine Daae out of doors by hearing her

this evening in the part of Siebel, as that of Margarita has been

forbidden her since her triumph of the other evening; and I will

ask you not to dispose of my box to-day nor on the FOLLOWING DAYS,

for I can not end this letter without telling you how disagreeably

surprised I have been once or twice, to hear, on arriving at the Opera,

that my box had been sold, at the box-office, by your orders.

I did not protest, first, because I dislike scandal, and, second,

because I thought that your predecessors, MM. Debienne and Poligny,

who were always charming to me, had neglected, before leaving,

to mention my little fads to you. I have now received a reply

from those gentlemen to my letter asking for an explanation,

and this reply proves that you know all about my Memorandum-Book and,

consequently, that you are treating me with outrageous contempt.

IF YOU WISH TO LIVE IN PEACE, YOU MUST NOT BEGIN BY TAKING AWAY