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The Phantom of the Opera · Gaston Leroux

Chapter XVII. The Safety-Pin Again

Chapter XVII The Safety-Pin Again

Moncharmin's last phrase so dearly expressed the suspicion in which he

now held his partner that it was bound to cause a stormy explanation,

at the end of which it was agreed that Richard should yield to all

Moncharmin's wishes, with the object of helping him to discover

the miscreant who was victimizing them.

This brings us to the interval after the Garden Act, with the strange

conduct observed by M. Remy and those curious lapses from the dignity

that might be expected of the managers. It was arranged between

Richard and Moncharmin, first, that Richard should repeat the exact

movements which he had made on the night of the disappearance

of the first twenty-thousand francs; and, second, that Moncharmin

should not for an instant lose sight of Richard's coat-tail pocket,

into which Mme. Giry was to slip the twenty-thousand francs.

M. Richard went and placed himself at the identical spot where he

had stood when he bowed to the under-secretary for fine arts.

M. Moncharmin took up his position a few steps behind him.

Mme. Giry passed, rubbed up against M. Richard, got rid of her

twenty-thousand francs in the manager's coat-tail pocket

and disappeared....Or rather she was conjured away.

In accordance with the instructions received from Moncharmin a few

minutes earlier, Mercier took the good lady to the acting-manager's

office and turned the key on her, thus making it impossible

for her to communicate with her ghost.

Meanwhile, M. Richard was bending and bowing and scraping and

walking backward, just as if he had that high and mighty minister,

the under-secretary for fine arts, before him. Only, though these

marks of politeness would have created no astonishment if the

under-secretary of state had really been in front of M. Richard,

they caused an easily comprehensible amazement to the spectators

of this very natural but quite inexplicable scene when M. Richard

had no body in front of him.

M. Richard bowed...to nobody; bent his back...before nobody;

and walked backward...before nobody....And, a few steps

behind him, M. Moncharmin did the same thing that he was doing

in addition to pushing away M. Remy and begging M. de La Borderie,

the ambassador, and the manager of the Credit Central "not to touch

M. le Directeur."

Moncharmin, who had his own ideas, did not want Richard to come

to him presently, when the twenty-thousand francs were gone,

and say:

"Perhaps it was the ambassador...or the manager of the Credit

Central...or Remy."

The more so as, at the time of the first scene,

as Richard himself admitted, Richard had met nobody

in that part of the theater after Mme. Giry had brushed up against him....

Having begun by walking backward in order to bow, Richard continued

to do so from prudence, until he reached the passage leading

to the offices of the management. In this way, he was constantly

watched by Moncharmin from behind and himself kept an eye on any

one approaching from the front. Once more, this novel method

of walking behind the scenes, adopted by the managers of our

National Academy of Music, attracted attention; but the managers

themselves thought of nothing but their twenty-thousand francs.

On reaching the half-dark passage, Richard said to Moncharmin,

in a low voice:

"I am sure that nobody has touched me....You had now better

keep at some distance from me and watch me till I come to door

of the office: it is better not to arouse suspicion and we can

see anything that happens."

But Moncharmin replied. "No, Richard, no! You walk ahead and I'll

walk immediately behind you! I won't leave you by a step!"

"But, in that case," exclaimed Richard, "they will never steal

our twenty-thousand francs!"

"I should hope not, indeed!" declared Moncharmin.

"Then what we are doing is absurd!"

"We are doing exactly what we did last time....Last time,

I joined you as you were leaving the stage and followed close behind

you down this passage."

"That's true!" sighed Richard, shaking his head and passively

obeying Moncharmin.

Two minutes later, the joint managers locked themselves into

their office. Moncharmin himself put the key in his pocket:

"We remained locked up like this, last time," he said, "until you

left the Opera to go home."

"That's so. No one came and disturbed us, I suppose?"

"No one."

"Then," said Richard, who was trying to collect his memory, "then I

must certainly have been robbed on my way home from the Opera."

"No," said Moncharmin in a drier tone than ever, "no, that's impossible.

For I dropped you in my cab. The twenty-thousand francs disappeared

at your place: there's not a shadow of a doubt about that."

"It's incredible!" protested Richard. "I am sure of my servants...

and if one of them had done it, he would have disappeared since."

Moncharmin shrugged his shoulders, as though to say that he

did not wish to enter into details, and Richard began to think

that Moncharmin was treating him in a very insupportable fashion.

"Moncharmin, I've had enough of this!"

"Richard, I've had too much of it!"

"Do you dare to suspect me?"

"Yes, of a silly joke."

"One doesn't joke with twenty-thousand francs."

"That's what I think," declared Mohcharmin, unfolding a newspaper

and ostentatiously studying its contents.

"What are you doing?" asked Richard. "Are you going to read

the paper next?"

"Yes, Richard, until I take you home."

"Like last time?"

"Yes, like last time."

Richard snatched the paper from Moncharmint's hands.

Moncharmin stood up, more irritated than ever, and found himself

faced by an exasperated Richard, who, crossing his arms on his chest, said:

"Look here, I'm thinking of this, I'M THINKING OF WHAT I MIGHT

THINK if, like last time, after my spending the evening alone

with you, you brought me home and if, at the moment of parting,

I perceived that twenty-thousand francs had disappeared from my

coat-pocket...like last time."

"And what might you think?" asked Moncharmin, crimson with rage.

"I might think that, as you hadn't left me by a foot's breadth

and as, by your own wish, you were the only one to approach me,

like last time, I might think that, if that twenty-thousand francs

was no longer in my pocket, it stood a very good chance of being

in yours!"

Moticharmin leaped up at the suggestion.

"Oh!" he shouted. "A safety-pin!"

"What do you want a safety-pin for?"

"To fasten you up with!...A safety-pin!...A safety-pin!"

"You want to fasten me with a safety-pin?"

"Yes, to fasten you to the twenty-thousand francs! Then, whether

it's here, or on the drive from here to your place, or at your place,

you will feel the hand that pulls at your pocket and you will

see if it's mine! Oh, so you're suspecting me now, are you?

A safety-pin!"

And that was the moment when Moncharmin opened the door

on the passage and shouted:

"A safety-pin!...somebody give me a safety-pin!"

And we also know how, at the same moment, Remy, who had no safety-pin,

was received by Moncharmin, while a boy procured the pin so eagerly

longed for. And what happened was this: Moncharmin first locked

the door again. Then he knelt down behind Richard's back.

"I hope," he said, "that the notes are still there?"

"So do I," said Richard.

"The real ones?" asked Moncharmin, resolved not to be "had" this time.

"Look for yourself," said Richard. "I refuse to touch them."

Moncharmin took the envelope from Richard's pocket and drew

out the bank-notes with a trembling hand, for, this time,

in order frequently to make sure of the presence of the notes,

he had not sealed the envelope nor even fastened it. He felt

reassured on finding that they were all there and quite genuine.

He put them back in the tail-pocket and pinned them with great care.

Then he sat down behind Richard's coat-tails and kept his eyes

fixed on them, while Richard, sitting at his writing-table, did

not stir.

"A little patience, Richard," said Moncharmin. "We have only

a few minutes to wait....The clock will soon strike twelve.

Last time, we left at the last stroke of twelve."

"Oh, I shall have all the patience necessary!"

The time passed, slow, heavy, mysterious, stifling. Richard tried

to laugh.

"I shall end by believing in the omnipotence of the ghost," he said.

"Just now, don't you find something uncomfortable, disquieting,

alarming in the atmosphere of this room?"

"You're quite right," said Moncharmin, who was really impressed.

"The ghost!" continued Richard, in a low voice, as though fearing lest

he should be overheard by invisible ears. "The ghost! Suppose, all

the same, it were a ghost who puts the magic envelopes on the table

... who talks in Box Five...who killed Joseph Buquet...

who unhooked the chandelier...and who robs us! For, after all,

after all, after all, there is no one here except you a nd me,

and, if the notes disappear and neither you nor I have anything to

do with it, well, we shall have to believe in the ghost...in the ghost."

At that moment, the clock on the mantlepiece gave its warning click

and the first stroke of twelve struck.

The two managers shuddered. The perspiration streamed from

their foreheads. The twelfth stroke sounded strangely in their ears.

When the clock stopped, they gave a sigh and rose from their chairs.

"I think we can go now," said Moncharmin.

"I think so," Richard a agreed.

"Before we go, do you mind if I look in your pocket

"But, of course, Moncharmin, YOU MUST!...Well?" he asked,

as Moncharmin was feeling at the pocket.

"Well, I can feel the pin."

"Of course, as you said, we can't be robbed without noticing it."

But Moncharmin, whose hands were still fumbling, bellowed:

"I can feel the pin, but I can't feel the notes!"

"Come, no joking, Moncharmin!...This isn't the time for it."

"Well, feel for yourseIf."

Richard tore off his coat. The two managers turned the pocket

inside out. THE POCKET WAS EMPTY. And the curious thing was

that the pin remained, stuck in the same place.

Richard and Moncharmin turned pale. There was no longer any doubt

about the witchcraft.

"The ghost!" muttered Moncharmin.

But Richard suddenly sprang upon his partner.

"No one but you has touched my pocket! Give me back my twenty-thousand

francs!...Give me back my twenty-thousand francs!..."

"On my soul," sighed Moncharmin, who was ready to swoon, "on my soul,

I swear that I haven't got it!"

Then somebody knocked at the door. Moncharmin opened it automatically,

seemed hardly to recognize Mercier, his business-manager, exchanged

a few words with him, without knowing what he was saying and,

with an unconscious movement, put the safety-pin, for which he

had no further use, into the hands of his bewildered subordinate....