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The Phantom of the Opera · Gaston Leroux

To Tell The Siren To Open The Door."

Steps moved away, a door closed. I had no time to think of the fresh

horror that was preparing; I forgot that the monster was only going

out perhaps to perpetrate a fresh crime; I understood but one thing:

Christine was alone behind the wall!

The Vicomte de Chagny was already calling to her:

"Christine! Christine!"

As we could hear what was said in the next room, there was

no reason why my companion should not be heard in his turn.

Nevertheless, the viscount had to repeat his cry time after time.

At last, a faint voice reached us.

"I am dreaming!" it said.

"Christine, Christine, it is I, Raoul!"

A silence.

"But answer me, Christine!...In Heaven's name, if you are alone,

answer me!"

Then Christine's voice whispered Raoul's name.

"Yes! Yes! It is I! It is not a dream!...Christine,

trust me!...We are here to save you...but be prudent!

When you hear the monster, warn us!"

Then Christine gave way to fear. She trembled lest Erik should

discover where Raoul was hidden; she told us in a few hurried words

that Erik had gone quite mad with love and that he had decided TO

KILL EVERYBODY AND HIMSELF WITH EVERYBODY if she did not consent

to become his wife. He had given her till eleven o'clock the next

evening for reflection. It was the last respite. She must choose,

as he said, between the wedding mass and the requiem.

And Erik had then uttered a phrase which Christine did not

quite understand:

"Yes or no! If your answer is no, everybody will be dead AND BURIED!"

But I understood the sentence perfectly, for it corresponded

in a terrible manner with my own dreadful thought.

"Can you tell us where Erik is?" I asked.

She replied that he must have left the house.

"Could you make sure?"

"No. I am fastened. I can not stir a limb."

When we heard this, M. de Chagny and I gave a yell of fury.

Our safety, the safety of all three of us, depended on the girl's

liberty of movement.

"But where are you?" asked Christine. "There are only two doors

in my room, the Louis-Philippe room of which I told you, Raoul; a door

through which Erik comes and goes, and another which he has never

opened before me and which he has forbidden me ever to go through,

because he says it is the most dangerous of the doors, the door

of the torture-chamher!"

"Christine, that is where we are!"

"You are in the torture-chamber?"

"Yes, but we can not see the door."

"Oh! if I could only drag myself so far! I would knock at the door

and that would tell you where it is."

"Is it a door with a lock to it?" I asked.

"Yes, with a lock."

"Mademoiselle," I said, "it is absolutely necessary, that you

should open that door to us!"

"But how?" asked the poor girl tearfully.

We heard her straining, trying to free herself from the bonds

that held her.

"I know where the key is," she said, in a voice that seemed exhausted

by the effort she had made. "But I am fastened so tight....Oh,

the wretch!"

And she gave a sob.

"Where is the key?" I asked, signing to M. de Chagny not to speak

and to leave the business to me, for we had not a moment to lose.

"In the next room, near the organ, with another little bronze key,

which he also forbade me to touch. They are both in a little

leather bag which he calls the bag of life and death.

... Raoul! Raoul! Fly! Everything is mysterious and

terrible here, and Erik will soon have gone quite mad, and you

are in the torture-chamber!...Go back by the way you came.

There must be a reason why the room is called by that name!"

"Christine," said the young man. "we will go from here together

or die together!"

"We must keep cool," I whispered. "Why has he fastened you,

mademoiselle? You can't escape from his house; and he knows it!"

"I tried to commit suicide! The monster went out last night,

after carrying me here fainting and half chloroformed. He was

going TO HIS BANKER, so he said!...When he returned he found

me with my face covered with blood....I had tried to kill

myself by striking my forehead against the walls."

"Christine!" groaned Raoul; and he began to sob.

"Then he bound me....I am not allowed to die until eleven

o'clock to-morrow evening."

"Mademoiselle," I declared, "the monster bound you...and he

shall unbind you. You have only to play the necessary part!

Remember that he loves you!"

"Alas!" we heard. "Am I likely to forget it!"

"Remember it and smile to him...entreat him...tell him

that your bonds hurt you."

But Christine Daae said:

"Hush!...I hear something in the wall on the lake!...It

is he!...Go away! Go away! Go away!"

"We could not go away, even if we wanted to," I said, as impressively

as I could. "We can not leave this! And we are in the torture-chamber!"

"Hush!" whispered Christine again.

Heavy steps sounded slowly behind the wall, then stopped and made

the floor creak once more. Next came a tremendous sigh, followed by

a cry of horror from Christine, and we heard Erik's voice:

"I beg your pardon for letting you see a face like this!

What a state I am in, am I not? It's THE OTHER ONE'S FAULT!

Why did he ring? Do I ask people who pass to tell me the time?

He will never ask anybody the time again! It is the siren's fault."

{two page color illustration}

Another sigh, deeper, more tremendous still, came from the abysmal

depths of a soul.

"Why did you cry out, Christine?"

"Because I am in pain, Erik."

"I thought I had frightened you."

"Erik, unloose my bonds....Am I not your prisoner?"

"You will try to kill yourself again."

"You have given me till eleven o'clock to-morrow evening, Erik."

The footsteps dragged along the floor again.

"After all, as we are to die together...and I am just as eager

as you...yes, I have had enough of this life, you know.

...Wait, don't move, I will release you....You have only

one word to say: ‘NO!' And it will at once be over WITH EVERYBODY!

...You are right, you are right; why wait till eleven o'clock

to-morrow evening? True, it would have been grander, finer....But

that is childish nonsense....We should only think of ourselves

in this life, of our own death...the rest doesn't matter.

...YOU'RE LOOKING AT ME BECAUSE I AM ALL WET?... Oh,

my dear, it's raining cats and dogs outside!...Apart from that,

Christine, I think I am subject to hallucinations....You know,

the man who rang at the siren's door just now--go and look if he's

ringing at the bottom of the lake-well, he was rather like.

...There, turn round...are you glad? You're free now.

...Oh, my poor Christine, look at your wrists: tell me, have I

hurt them?...That alone deserves death....Talking of death,