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The Hunchback of Notre-Dame · Victor Hugo

Continuation Of The Key To The Red Door.

That night, la Esmeralda had fallen asleep in her cell, full

of oblivion, of hope, and of sweet thoughts. She had already

been asleep for some time, dreaming as always, of Phoebus,

when it seemed to her that she heard a noise near her. She

slept lightly and uneasily, the sleep of a bird; a mere nothing

waked her. She opened her eyes. The night was very dark.

Nevertheless, she saw a figure gazing at her through the

window; a lamp lighted up this apparition. The moment that

the figure saw that la Esmeralda had perceived it, it blew out

the lamp. But the young girl had had time to catch a glimpse

of it; her eyes closed again with terror.

"Oh!" she said in a faint voice, "the priest!"

All her past unhappiness came back to her like a flash of

lightning. She fell back on her bed, chilled.

A moment later she felt a touch along her body which made

her shudder so that she straightened herself up in a sitting

posture, wide awake and furious.

The priest had just slipped in beside her. He encircled

her with both arms.

She tried to scream and could not.

"Begone, monster! begone assassin!" she said, in a voice

which was low and trembling with wrath and terror.

"Mercy! mercy!" murmured the priest, pressing his lips

to her shoulder.

She seized his bald head by its remnant of hair and tried to

thrust aside his kisses as though they had been bites.

"Mercy!" repeated the unfortunate man. "If you but knew what

my love for you is! 'Tis fire, melted lead, a thousand daggers

in my heart."

She stopped his two arms with superhuman force.

"Let me go," she said, "or I will spit in your face!"

He released her. "Vilify me, strike me, be malicious! Do

what you will! But have mercy! love me!"

Then she struck him with the fury of a child. She made

her beautiful hands stiff to bruise his face. "Begone, demon!"

"Love me! love mepity!" cried the poor priest returning

her blows with caresses.

All at once she felt him stronger than herself.

"There must be an end to this!" he said, gnashing his teeth.

She was conquered, palpitating in his arms, and in his

power. She felt a wanton hand straying over her. She made

a last effort, and began to cry: "Help! Help! A vampire!

a vampire!"

Nothing came. Djali alone was awake and bleating with anguish.

"Hush!" said the panting priest.

All at once, as she struggled and crawled on the floor, the

gypsy's hand came in contact with something cold and metal-

lic-it was Quasimodo's whistle. She seized it with a convulsive

hope, raised it to her lips and blew with all the strength

that she had left. The whistle gave a clear, piercing sound.

"What is that?" said the priest.

Almost at the same instant he felt himself raised by a

vigorous arm. The cell was dark; he could not distinguish

clearly who it was that held him thus; but he heard teeth

chattering with rage, and there was just sufficient light

scattered among the gloom to allow him to see above his head

the blade of a large knife.

The priest fancied that he perceived the form of Quasimodo.

He assumed that it could be no one but he. He remembered

to have stumbled, as he entered, over a bundle which was

stretched across the door on the outside. But, as the

newcomer did not utter a word, he knew not what to think. He

flung himself on the arm which held the knife, crying:

"Quasimodo!" He forgot, at that moment of distress, that

Quasimodo was deaf.

In a twinkling, the priest was overthrown and a leaden

knee rested on his breast.

From the angular imprint of that knee he recognized

Quasimodo; but what was to be done? how could he make the

other recognize him? the darkness rendered the deaf man blind.

He was lost. The young girl, pitiless as an enraged tigress,

did not intervene to save him. The knife was approaching

his head; the moment was critical. All at once, his adversary

seemed stricken with hesitation.

"No blood on her!" he said in a dull voice.

It was, in fact, Quasimodo's voice.

Then the priest felt a large hand dragging him feet first out

of the cell; it was there that he was to die. Fortunately for

him, the moon had risen a few moments before.

When they had passed through the door of the cell, its pale

rays fell upon the priest's countenance. Quasimodo looked

him full in the face, a trembling seized him, and he released

the priest and shrank back.

The gypsy, who had advanced to the threshold of her cell,

beheld with surprise their roles abruptly changed. It was

now the priest who menaced, Quasimodo who was the suppliant.

The priest, who was overwhelming the deaf man with gestures

of wrath and reproach, made the latter a violent sign to retire.

The deaf man dropped his head, then he came and knelt at

the gypsy's door,--"Monseigneur," he said, in a grave and

resigned voice, "you shall do all that you please afterwards,

but kill me first."

So saying, he presented his knife to the priest. The priest,

beside himself, was about to seize it. But the young girl was

quicker than be; she wrenched the knife from Quasimodo's

hands and burst into a frantic laugh,--"Approach," she said

to the priest.

She held the blade high. The priest remained undecided.

She would certainly have struck him.

Then she added with a pitiless expression, well aware that

she was about to pierce the priest's heart with thousands of

red-hot irons,--

"Ah! I know that Phoebus is not dead!

The priest overturned Quasimodo on the floor with a kick,

and, quivering with rage, darted back under the vault of the

staircase.

When he was gone, Quasimodo picked up the whistle which

had just saved the gypsy.

"It was getting rusty," he said, as he handed it back to her;

then he left her alone.

The young girl, deeply agitated by this violent scene, fell

back exhausted on her bed, and began to sob and weep. Her

horizon was becoming gloomy once more.

The priest had groped his way back to his cell.

It was settled. Dom Claude was jealous of Quasimodo!

He repeated with a thoughtful air his fatal words: "No

one shall have her."